Every artist has to discover their voice. Gia Margaret didnâ€™t find herself until she lost hers. With a vocal injury that kept her from singing for years, she developed other musical languages, mastering the grammar of an intricate, homey form of ambient music pioneered by Ernest Hood and perfected by The Books. Now, her physical voice healed and her artistic voice honed, she comes full circle with Singing, her first vocal album since 2018â€™s Thereâ€™s Always Glimmer. Led by soft piano lines that fall like breath on glass, the music on Singing evidences the same jewelerâ€™s sensitivity to detail that she developed in her silence.

â€œThere was a time when I really didnâ€™t know if I would sing again. So once I healed, there was a lot of internal pressure to come back strong,â€ Margaret says. â€œI didnâ€™t know who I was anymore. So it felt like beginning again, and reconnecting with these very old, old parts of myself.â€ This feeling of intermixed alienation and rediscovery is palpable across the album. In opener â€œEveryone Around Me Dancing,â€ she watches a party from the wings, aware of how her body keeps her from communal joy while also providing new modes of self-knowledge. Shut out from the scene, she is â€œcloser to the ground, the planet.â€ In â€œAlive Inside,â€ sheâ€™s so far away from the source that sheâ€™s praying to whoever might hear (â€œa god, a friend thatâ€™s gone, a spiritâ€). As her voice rises, it seems to be trapped in a web of distortion; itâ€™s as if in her pursuit, sheâ€™s pushing at the very boundaries of what can be said.

The process of making Singing was one of learning how to trust each of those feelings. The album was partially recorded in London with Frou Frouâ€™s Guy Sigsworth, who helped Margaret unify the spree of ideas she had for â€œGood Friend,â€ an album highlight that includes Gregorian chant by ILÄ€ and turntable scratches, among many other things. David Bazan and Amy Millan also make appearances, as do Kurt Vile and Sean Carey, while Margaretâ€™s longtime collaborator Doug Saltzman plays on and co-produces much of the record. Deb Talan, previously of The Weepies, lends her voice, piano, and guitar to the album's closingâ€”and definitiveâ€”statement, "E-Motion."

Gia Margaret is always singing. Every note of this album sings a warm requiem to her past selves; every layer sings her future self into being. Across the album, she applies the lessons of speechlessnessâ€”the quasirational ways we communicate without communicating, the way formless sound can cut to the heart of things like a scalpelâ€”to her own artistic voice.

UPC: 656605238418
Label: Jagjaguwar
Release Date: 4.24.26
Format: Vinyl

Gia Margaret - Singing (LP)