Caeli is spun out of the idea of skies and dimensions merging into a boarderless being boasting of a rich and vivid texture, at times carrying numerous worlds inside at once. During the recording of Caeli, Bára and Skúli would have long discussions about how the world is opening up and how this would and could affect music as well. They like to look at Caeli as a product of this openness - a crystallisation of freedom, exposure and transparency in sound. Bára Gísladóttir (born 1989) is an Icelandic composer and double bassist based in Copenhagen. She studied composition at the Iceland Academy of the Arts in Reykjavík, Conservatorio di Musica "Giuseppe Verdi" in Milan and at the Royal Danish Academy of Music in Copenhagen. Bára's pieces have been selected for festivals such as Dark Music Days, Darmstädter Ferienkurse, International Rostrum of Composers, KLANG Festival, Nordic Music Days and Ung Nordisk Musik. She has received the Carl Nielsen and Anne Marie Carl-Nielsen Foundation's Talent Awards, Léonie Sonning Talent Prize, The Reykjavík Grapevine's Music Awards, and has been nominated to the Carl Prize as 'Composer of the year', the Kraumur Music Awards three times for 'Album of the year' and The Icelandic Music Awards twice for 'Piece of the year'. Bára is an active performer and regularly plays her own music, mostly solo or with her long time collaborator, Skúli Sverrisson. In addition to this, she is the double bassist of Elja Ensemble. She has also performed with Ensemble Adapter, the Iceland Symphony Orchestra and S.L.A.T.U.R.. Skúli Sverrisson (born 23 October 1966) is an Icelandic composer and bass guitarist. He has worked with musicians Wadada Leo Smith, Derek Bailey, Lou Reed, Jon Hassel, David Sylvian, Arto Lindsay, and composers Ryuichi Sakamoto, Jóhann Jóhannsson, and Hildur Gudnadóttir.