
Jeremy Siepmann - Introduction to Brahms: Piano Concerto 2 (2 CD)
$25.99
Jeremy Siepmann - Introduction to Brahms: Piano Concerto 2 (2 CD)
DESCRIPCIÓN
There is perhaps no great piano concerto grander than the Brahms B Flat. With the spaciousness of a symphony, the drama of an opera, the intimacy of a lullaby and the intertwining raptures of the greatest love songs. It touches on almost every emotion with extraordinary immediacy and power. It's virtuosity is spell-binding, yet always substantial.
Tracklist:
- Introduction; Opening Horn Call And Piano's Answer
- Rising Three-note Scalewise Pattern
- Quicker, Descending Six-note 'Answer'
- Second 'Answering' Phrase
- First Main Theme Completed By Orchestra
- Peace Shattered As Piano Bursts Back In Like A Tiger
- Variant Of Opening Horn Call In Bass
- Orchestra Returns, Beginning Of Exposition Proper
- Big, 'Singing' Theme In Orchestra; Piano 'Forgotten'
- Call To Arms By Strings; Marshalling Of Orchestral Forces
- Piano Re-enters Fray With Massive Expansion Of Opening Figure
- Piano 'Explores' Two Main Facets Of Opening Theme
- Transition. Sense Of Key Weakened. Piano And Orchestra Come Toge
- Piano And Orchestra 'Argue' Over Speed Of Thematic Three-note Ri
- Piano And Orchestra In Friendly Dialogue Before Piano Falls Away
- 'Winged' Harmonic Shadow Of Pure Pianistic Tone-Colour
- New 'Transitional' Theme From Orchestra Developed By Piano
- After Indecision And Discussion, The Mood Suddenly Turns Playful
- Reminder Of Second Main Theme In It's Original Form
- Transformation Of Second Main Theme By Piano
- Piano Hijacks Orchestra's 'Call To Arms' (First Heard In Track 1
- Piano And Orchestra, Now Allies, Explore Theme, But With Piano L
- Dramatic Eruption Of Orchestra Leads To The Development Section
- Pianistic 'Tiger' Replaced By Gentle, Reflective, Soft-spoken Po
- Transformed 'Tiger' Theme Amicably Shared By Piano And Orchestra
- An Apparently New Theme - But Battle Hymn Of The Republic?
- Brief, Downward-driving Section Prepares For The Recapitulation
- On The Threshold Of The Recapitulation
- Recapitulation: The Magical Return
- From Gate-crashing Tiger To Celestial Tenderness - And A Surpris
- An Unexpected And Portentous Change Of Mood, Suggesting Tragedy
- Summation
- First Movement (Complete)
- Second Movement: The Upward-driving Opening Gambit, Piano Alone
- Downward-driving Answer From Lower Strings (Violas, Cellos, Bass
- Theme Vs Melody
- Eerie, Unharmonised, 'White' Sound Of Second Theme
- Second Theme Taken Up And Developed By Piano
- Expectation And Surprise; Harmonic Fluidity And Intensifying Dra
- Return (And Transformation) Of Theme Two
- Theme One Returns In Orchestra; Theme Three Emerges In Major Mod
- Sequence Of Fragmentary Episodes Begins With Unexpected Fanfare
- Variant Of Theme Three In Piano (Diabolical Piano Octaves)
- Rescored Variant Of 'Fanfare' Theme; From Grandeur To Solemnity
- Rhapsodic Variant Of Fanfare, This Time For Piano Alone
- Recapitulation Of Opening, With Piano And Orchestra Reversing Ro
- Theme Two Transformed By New Instrumentation
- Cue And Second Movement (Complete)
- Introduction, Cue And First Main Theme
- Theme One Taken Up By Strings And Solo Oboe; Piano's Entry
- Complex Variant Of Theme One With Very Different Speed And Rhyth
- Orchestra And Piano In Mixed Variants Of Theme One, Now Intensif
- Theme Two, Hushed And 'Tuneless', With Piano, Clarinets And Stri
- Oboe Theme Returns, Now Delicately Embroidered By The Piano
- Cue And Third Movement (Complete)
- Finale: Introduction, Cue And Main Theme
- Violins Take Up Tune, With Winds And Piano Accompanying
- Piano Introduces Part 2 Of The Main Theme
- Part 3 Of The Theme, Led By Piano, In 'Fiercely' Self-confident
- First Episode, Part 1
- First Episode, Part 2
- Piano Hands Theme Over To Clarinets And Bassoons
- First Episode, Part 3, In Piano, First; Then Flutes And Oboes
- Strings And Flutes Take Theme, With Bubbling Commentary From Pia
- Tipsy Dancers (Piano And Winds) Return, Tiring; Strings Take Ove
- In The Central Episode, The Orchestra Throws Down A Dramatic Cha
- ...To Which The Piano Duly Responds With A Stormy Outburst
- Piano Kick-starts Run-up To Final Section In A Variant Of The Ma
- Orchestra Sets Off On A Jaunty March, Later Joined By The Piano
- Piano Propels Orchestra Into Final Section
- Summation And Cue To The Movement As A Whole
- Finale (Complete)
UPC: 636943803028
Label: Naxos
Release Date: 7.17.01
Format: CD
LISTA DE CANCIONES
Tracklist:
- Introduction; Opening Horn Call And Piano's Answer
- Rising Three-note Scalewise Pattern
- Quicker, Descending Six-note 'Answer'
- Second 'Answering' Phrase
- First Main Theme Completed By Orchestra
- Peace Shattered As Piano Bursts Back In Like A Tiger
- Variant Of Opening Horn Call In Bass
- Orchestra Returns, Beginning Of Exposition Proper
- Big, 'Singing' Theme In Orchestra; Piano 'Forgotten'
- Call To Arms By Strings; Marshalling Of Orchestral Forces
- Piano Re-enters Fray With Massive Expansion Of Opening Figure
- Piano 'Explores' Two Main Facets Of Opening Theme
- Transition. Sense Of Key Weakened. Piano And Orchestra Come Toge
- Piano And Orchestra 'Argue' Over Speed Of Thematic Three-note Ri
- Piano And Orchestra In Friendly Dialogue Before Piano Falls Away
- 'Winged' Harmonic Shadow Of Pure Pianistic Tone-Colour
- New 'Transitional' Theme From Orchestra Developed By Piano
- After Indecision And Discussion, The Mood Suddenly Turns Playful
- Reminder Of Second Main Theme In It's Original Form
- Transformation Of Second Main Theme By Piano
- Piano Hijacks Orchestra's 'Call To Arms' (First Heard In Track 1
- Piano And Orchestra, Now Allies, Explore Theme, But With Piano L
- Dramatic Eruption Of Orchestra Leads To The Development Section
- Pianistic 'Tiger' Replaced By Gentle, Reflective, Soft-spoken Po
- Transformed 'Tiger' Theme Amicably Shared By Piano And Orchestra
- An Apparently New Theme - But Battle Hymn Of The Republic?
- Brief, Downward-driving Section Prepares For The Recapitulation
- On The Threshold Of The Recapitulation
- Recapitulation: The Magical Return
- From Gate-crashing Tiger To Celestial Tenderness - And A Surpris
- An Unexpected And Portentous Change Of Mood, Suggesting Tragedy
- Summation
- First Movement (Complete)
- Second Movement: The Upward-driving Opening Gambit, Piano Alone
- Downward-driving Answer From Lower Strings (Violas, Cellos, Bass
- Theme Vs Melody
- Eerie, Unharmonised, 'White' Sound Of Second Theme
- Second Theme Taken Up And Developed By Piano
- Expectation And Surprise; Harmonic Fluidity And Intensifying Dra
- Return (And Transformation) Of Theme Two
- Theme One Returns In Orchestra; Theme Three Emerges In Major Mod
- Sequence Of Fragmentary Episodes Begins With Unexpected Fanfare
- Variant Of Theme Three In Piano (Diabolical Piano Octaves)
- Rescored Variant Of 'Fanfare' Theme; From Grandeur To Solemnity
- Rhapsodic Variant Of Fanfare, This Time For Piano Alone
- Recapitulation Of Opening, With Piano And Orchestra Reversing Ro
- Theme Two Transformed By New Instrumentation
- Cue And Second Movement (Complete)
- Introduction, Cue And First Main Theme
- Theme One Taken Up By Strings And Solo Oboe; Piano's Entry
- Complex Variant Of Theme One With Very Different Speed And Rhyth
- Orchestra And Piano In Mixed Variants Of Theme One, Now Intensif
- Theme Two, Hushed And 'Tuneless', With Piano, Clarinets And Stri
- Oboe Theme Returns, Now Delicately Embroidered By The Piano
- Cue And Third Movement (Complete)
- Finale: Introduction, Cue And Main Theme
- Violins Take Up Tune, With Winds And Piano Accompanying
- Piano Introduces Part 2 Of The Main Theme
- Part 3 Of The Theme, Led By Piano, In 'Fiercely' Self-confident
- First Episode, Part 1
- First Episode, Part 2
- Piano Hands Theme Over To Clarinets And Bassoons
- First Episode, Part 3, In Piano, First; Then Flutes And Oboes
- Strings And Flutes Take Theme, With Bubbling Commentary From Pia
- Tipsy Dancers (Piano And Winds) Return, Tiring; Strings Take Ove
- In The Central Episode, The Orchestra Throws Down A Dramatic Cha
- ...To Which The Piano Duly Responds With A Stormy Outburst
- Piano Kick-starts Run-up To Final Section In A Variant Of The Ma
- Orchestra Sets Off On A Jaunty March, Later Joined By The Piano
- Piano Propels Orchestra Into Final Section
- Summation And Cue To The Movement As A Whole
- Finale (Complete)
VISTA PREVIA DE AUDIO
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