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[PRE-ORDER] Symphonieorchester Des Bayerischen Rundfunks - Prokofiev: Romeo & Julia; Tchaikovsky: Symphony No. 4 (CD)
[PRE-ORDER] Symphonieorchester Des Bayerischen Rundfunks - Prokofiev: Romeo & Julia; Tchaikovsky: Symphony No. 4 (CD)
Prokofiev: Romeo & Julia; Tchaikovsky: Symphony No. 4

Precio habitual $29.99 Ahorrar $-29.99


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PRODUCT DETAILS
FORMAT: New CD • UPC: 4035719002300
GENRE: Classical Artists • RECORD LABEL: BR Klassiks
RELEASE DATE: 11/14/25
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[PRE-ORDER] Symphonieorchester Des Bayerischen Rundfunks - Prokofiev: Romeo & Julia; Tchaikovsky: Symphony No. 4 (CD)

$29.99

[PRE-ORDER] Symphonieorchester Des Bayerischen Rundfunks - Prokofiev: Romeo & Julia; Tchaikovsky: Symphony No. 4 (CD)

DESCRIPCIÓN

Details: Sir Georg Solti was a frequent guest conductor with the Bavarian Radio Symphony Orchestra. Born in Hungary in 1912, he played a decisive role in rebuilding the Bavarian National Theatre after the war. From the 1960s onwards, he was considered one of the world's leading conductors alongside Leonard Bernstein and Herbert von Karajan. Georg Solti returned to Munich once more for a special concert on February 10, 1984, with the Bavarian Radio Symphony Orchestra in the Herkulessaal of the Munich Residenz. Aged 71 and at the height of his career, he conducted excerpts from Sergei Prokofiev's ballet Romeo and Juliet and Pyotr Ilyich Tchaikovsky's Fourth Symphony. Works by these two Russian composers, as well as Bruckner and Mahler, suited him particularly well, as they sounded musically spirited and exceptionally transparent. Prokofiev's three-act ballet Romeo and Juliet was written in 1935 for the Bolshoi Theatre in Moscow, but it's premiere did not take place until 1938, in Brno in the Czech Republic. At the special concert in Munich in 1984 with Georg Solti, fifteen numbers from the ballet music were performed in chronological order. Pyotr Tchaikovsky dedicated his Fourth Symphony - composed in 1877/78 at the same time as his opera Eugene Onegin - to his patron Nadezhda von Meck. Despite their lengthy correspondence, they never actually met. In a letter to her dated March 1878, Tchaikovsky outlined the feelings he had experienced while composing his Fourth Symphony, though no specific programme can be discerned from them.

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