With her latest recording, Origami, pianist Louise Bessette unveils a few pages from the musical journal of Montréal

composer Anthony Rozankovic. His “origami music” or “score sculptures” are alternately dissonant, syncopated,

consonant, lyrical, or chaotic – according to film producer Carl Leblanc, author of the album’s liner notes. 11 of the

16 pieces on Origami started out as film music, with the composer conveying intense emotions. Among the other

works are four concert pieces.