This double album juxtaposes Franz Liszt's greatest works for organ with organ arrangements of works by his friend and later son-in-law Richard Wagner. Lamento e Trionfo is actually the subtitle of Liszt's second symphonic poem 'Tasso' S.96, but this motto characterises the moods in the compositions united on this album so perfectly that the young concert organist Stephane Mottoul chose it as the album title. The instrument featured here is one of the largest organs in Switzerland. It was built in 1862 by Friedrich Haas for the Lucerne Hofkirche and gained international reputation. Franz Liszt knew the instrument and also played it during his visits to Richard Wagner at his nearby country estate in Triebschen, where Wagner lived from 1866 to 1872. The fascinating spatial impression created by the organ's divisions distributed throughout the church is reproduced particularly well by the 5.1 surround recording of these two hybrid SACDs. Even in the room itself, the effect is not as vivid.