"Perhaps the beginning of this album is, in a way, the most classic principle because the music that stood for the avant-garde at a time, today takes the place of the "Classic" Tangos. I sincerely value the Vogler Quartet artistic attitude - that is also mine - as to take the necessary risk to go on with the history of Tango that is also - in some way - part of the history of music... "Sr. Tango" (Mr. Tango) is a parody about a Tango place that still exists in Buenos Aires where I had the fortune to play... and leave alive... The pieces for Trio - Violin, Bandoneon and Double Bass - are a very lively style. Andironic. I wanted to experience with a non-classical group and tickle with the primary tangos, except "Jeanne & Paul". "Adios Nonino" is a classic of the worldwide literature because the wedding of Princess Maxima of Holland launched it to the world space as ever before. My version is almost the contrary, let 's say a sort of "divorce". Above all for those that still think that it is not possible or it is not correct to arrange Piazzolla 's music. So here it goes my tribute to that great composer and arranger of old Tangos: Astor Piazzolla. "Bordel 1900" and "Café 1930" are two pieces where I simply orchestrated what was originally written for Flute and Bandoneon. "4 for Vogler" is a portrait of each of the constituents of the string quartet. An individual portrait of Tim, Frank, Stefan and Stephan, in that same order. It 's my humble homage to this profound, unique and brilliant string quartet." (Marcelo Nisinman)