The splendor and cultural heritage of Humanism contain an intricate network of intuitions and revolutions - that are often local or have developed in geographically or politically well-defined areas - of culture and of it's representation in society: an unlimited theatricalisation of reality, in which each gesture, symbol and behavior is transformed into an active component of the greatness and beauty of the Court and of it's main actuators. In a picturesque fresco of this rich era - musical heir of the Middle Ages - the Anonima Frottolisti ensemble offers a cross-section of the main aspects that characterized it: power, love, celebration, dance, and faith, through an imaginary journey in the wonder of the Italian courts of the fifteenth century.