Miriam Prandi's deeply personal interpretation of Bach's suites for solo cello reveals a musical personality shaped by freedom and reverence for the work; her phrasing recalls not only the elegance of line in Bach's arias and recitatives but also the intricate figuration of his keyboard works. She naturally embraces certain elements of historically informed performance practice, although she refuses to be confined by it's prescriptions. She allows the music to speak in a way that all today can understand: a way that transcends stylistic labels and so-called modernity and speaks with clarity, conviction, and from the heart.