Adorno's speech reads like a commentary on recording the string quartets op. 130 including the later final movement and the Great Fugue op. 133 with the phenomenal Auryn Quartet on TACET 38: It's as if the subject retreated from his music, and, leaving the apparition to it's own devices, then really made the apparition speak... - One really could not present this late work in a more up-to-date way and yet more entranced, removed from all subjective whispered prompts.