In the last of his three volume series devoted to Granados's orchestral music, two very different compositional strands are explored. The early Suite oriental reveals his sense of vivid orchestral color and melodic imagination, couched in the exotic language of the time. Written in a more pared-down style, the one-act "lyric poem" Liliana, a collaboration with the writer Apelles Mestres, is a four-movement suite in which Granados conjures up a vivid, mythical world. Elisenda is another impressionistic score, both emotive and ethereal, here performed in it's arrangement for piano and chamber orchestra.