Details: HORN TRIOS from MOZART to PIAZZOLLA and beyond (Volume 2) is the second installment of a compendium of horn trios from the 18th, 19th, 20th and 21st centuries - an amazing "anthology" of original and arranged repertoire for the trio ensemble of horn, violin and piano. This is not the kind of recording project consisting of the "obligatory" Brahms Horn Trio in the company of 2 or 3 other much-recorded works. While the Brahms Trio is included (in Volume 1), the concept is a lot more ambitious. Presenting a 4-centuries, 2-volume collection where each album encompasses a double-disc compilation, the artists explore a strikingly-interesting array of diverse styles and genres, where even the sheer number of different nationalities of the composers (representing 12 different countries in Vol. 1 and 11 countries in Vol. 2) brings instant awe. In Volume 1 we heard trios by composers from the United States, Canada, England, Germany, Austria, France, Liechtenstein, Argentina, Estonia, Romania, Bulgaria and Morocco, while Volume 2 presents music by composers from the US, UK, Australia, Ukraine, Russia, Germany, Austria, France, Spain, Argentina and Czechia. Among the 15 works in Vol. 1 we heard 8 world-premiere recordings, while Vol. 2 is literally brimming with world-premieres: among the 13 works in Volume 2, there are 11 world-premiere recordings. The three artists offer breathtaking interpretations. Hornist Howard Wall, whose storied career includes not just his legendary reputation as a long-time member of two of America's most prestigious orchestras - the New York Philharmonic and the Philadelphia Orchestra, but also an impressive discography of chamber and solo discs, brings a symphonic dimension to his own transcriptions of music by Piazzolla, Stravinsky, Bach and John Coltrane. Violinist Elmira Darvarova is equally "at home" in Mozart (as a former concertmaster of the Metropolitan Opera, where she accompanied the world's greatest singers in a multitude of Mozart operas) and in Piazzolla (having attained a Grammy nomination for one of her many Piazzolla albums), as well as everywhere else (including world music, with her album based on Indian Ragas debuting as No. 3 on Billboard) and she possesses not just an incredibly strong and full tone, but also a magnificent level of sensitivity which fascinates with the limitless range of dynamics and sophisticated phrasing. Pianist Thomas Weaver, whose own horn trios (one in each volume) mesmerize with atmospheric moods, and whose translucently-textured playing has been hailed for his recent album of Hungarian composers (recorded together with Elmira Darvarova), shines in each piece with sublime virtuosity and fierce artistic commitment. This is a "not to be missed" album release, which has been eagerly anticipated in the "horn universe" and elsewhere, leaving open the possibility of a future Volume 3 as a conclusion to this terrific project.