In his autobiography, Igor Stravinsky wrote of his not having had an 'great liking' for the combination of strings and piano. That there nevertheless are a number of chamber works by him featuring the violin is to a large extent due to teh violinist Samuel Dushkin. The two were introduced to each other by Stravinsky's German music publisher who wanted to persudade him to compose a violin concerto. They obviously hit it off: their collaboration continued after the concerto had come into being in 1931, and they devised a recital programme to perform together on tours. The centrepiece was Duo concertant which Stravinsky completed in 1932 as his only original composition for violin and piano. Rather than looking for common ground between the two instruments, Stravinsky aimed to emphasize their individuality in a work that he himself claimed was 'determiend by my love of the pastoral poets of antiquity and their scholarly art and technique'. The other pieces on this album are, with one exception, arrangements of Stravinsky's own works including The Firebird, Petrushka and Le rossignol. The majority were made for and in collaboration with Dushkin, but a few come from the 1920's and were intended for teh violinist aPaul Kochanski. One of these is the Suite for Violin and Piano, arranged from the ballet Pulcinella - material that Stravinsky revisited in the 1930's in order to make a new version for dushkin. With this programme, and in the company of the eminent Russian pianist Peter Laul, the highly virtuosic and temperamental violinist Ilya Gringolts makes his return to BIS.